CHARLIE CHAPLIN'S "THE CIRCUS" (1928) NO FURTHER A MYSTERY

They tend to be yearning romantics, using this type of difference: Buster would seem a plausible mate, and also the Tramp hardly appears to possess a libido, only idealized notions. If their comedies were created in a more liberated time, it is achievable to imagine Keaton in mattress with a lady, but disquieting to think of the Tramp for a sexual